Interpretation of the concept of diminutiveness

Sokhiba Nasimova

doi:10.47689/2181-3701-vol3-iss5-pp180-184

Sokhiba Nasimova Assistant, Department of Languages, Samarkand State Medical University

DOI

https://doi.org/10.47689/2181-3701-vol3-iss5-pp180-184

Keywords

diminutives , research , Shakespeare , culture , phenomenon , example

Abstract

It is known that in world linguistics, the categories shaping the emotional forms of nouns in particular, diminutive forms remain among the relatively understudied topics. Although this field is complex and multifaceted, requiring an analysis of the meanings it conveys, its emotional-aesthetic load, and its speech connotations, research on this issue has not yet been sufficiently developed.

References

Shakespeare, William. Macbeth. Edited by Stephen Orgel, Penguin Classics, 2000.

Shakespeare, William. Romeo and Juliet. Edited by Jill L. Levenson, Oxford University Press, 2000.

Shakespeare, William. A Midsummer Night’s Dream. Edited by Harold F. Brooks, Methuen, 1990.

Shakespeare, William. The Taming of the Shrew. Edited by Barbara Hodgdon, Arden Shakespeare, 2010.

Crystal, David. Think on My Words: Exploring Shakespeare’s Language. Cambridge University Press, 2008.

Blake, Norman. Shakespeare’s Language: An Introduction. Macmillan, 1989.

Wright, George T. Shakespeare’s Metrical Art. University of California Press, 1988.

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Published

2025-09-15

How to Cite

Nasimova, S. 2025. Interpretation of the concept of diminutiveness. Foreign Linguistics and Lingvodidactics. 3, 5 (Sep. 2025), 180–184. DOI:https://doi.org/10.47689/2181-3701-vol3-iss5-pp180-184.