Mastery of direct and indirect depiction in the works of Edgar Allan Poe and Nazar Eshonkul: a psychological and stylistic analysis

Sitora Toshmamatova

doi:10.47689/2181-3701-vol3-iss5/S-pp405-411

Sitora Toshmamatova "Registon" Private School, Fergana City

DOI

https://doi.org/10.47689/2181-3701-vol3-iss5/S-pp405-411

Keywords

Edgar Allan Poe , Nazar Eshonkul , direct depiction , indirect depiction , psychological narrative , symbolism , literary style , Gothic literature , Uzbek fiction , psychoanalysis.

Abstract

This article explores the artistic and psychological techniques of direct and indirect depiction used by Edgar Allan Poe and Nazar Eshonkul. Although separated by time and culture, both writers delve deeply into the portrayal of the human psyche. The analysis is supported by textual examples and comparative tables that highlight the similarities and differences in their narrative methods, emotional tones, and symbolic strategies.

References

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Published

2025-05-25

Mastery of direct and indirect depiction in the works of Edgar Allan Poe and Nazar Eshonkul: a psychological and stylistic analysis

How to Cite

Toshmamatova, S. 2025. Mastery of direct and indirect depiction in the works of Edgar Allan Poe and Nazar Eshonkul: a psychological and stylistic analysis. Foreign Linguistics and Lingvodidactics. 3, 5/S (May 2025), 405–411. DOI:https://doi.org/10.47689/2181-3701-vol3-iss5/S-pp405-411.