DOI
https://doi.org/10.47689/2181-3701-vol2-iss2/S-pp210-214Kalit so‘zlar
Iogan Volfgang fon Gyote , “Gyos fon Berlixingen” , “Prometey” , “Muhammad” , “Faust” , Streben , transsendentsiya , ezgulik va yovuzlik , “Bag‘ishlov” , “Teatr muqaddimasi” , “Arshi a’lodagi debocha”Annotasiya
Ushbu maqola Gyotening falsafasi va uning badiiy asarlarda qanday aks ettirilishini tahlil qiladi. Gyote o'zining ko'p qirrali ijodi orqali insoniyatning tabiati, erkinlik, axloq va hayot ma'nosi kabi fundamental masalalarni chuqur o'rganib, ularni badiiy obrazlar va siymolar orqali ifoda etgan. Maqolada Gyotening falsafiy qarashlari uning eng mashhur asarlarida, jumladan, "Faust" tragediyasida qanday gavdalanganligi ko'rib chiqiladi. Shuningdek, Gyotening badiiy uslubi va falsafiy nuqtai nazari o'rtasidagi murakkab aloqalar, ularning insoniy tajriba va ekzistentsial muammolarni qanday ochib berganligi muhokama qilinadi. Maqola Gyotening falsafiy g'oyalari va ularning badiiy tasvirlari o'rtasidagi sintezni chuqurroq anglashga yordam beradi.
Bibliografik manbalar
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Faust (Wayback Machine saytida 2007-03-15 sanasida arxivlangan) Boris Pasternakning tarjimasida
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https://uz.wikipedia.org/wiki/Johann_Wolfgang_von_Goethe. Murojat etilgan sana. 17.07.2024
https://en.wikipedia.org/wiki/G%C3%B6tz_von_Berlichingen_(Goethe).17.07.2024
German Wikisource has original text related to this article: "Prometheus" (1827 version)
https://medium.com/@SaidAbdulLatif/goethes-embrace-of-islam 17.07.2024
